![]() ![]() “From triumphal arch to triptych to collector’s cabinet to Bilderatlas, Felix Thürlemann’s survey of multiple image displays provides an authoritative introduction to a central question in art history: how have collectors, curators, artists, and art historians deployed the array of multiple images to generate meaning? Rich in examples and sensitive to the different potentials of spectatorial experience, this book provides an excellent foundation for further exploration in the way images gather in constellations of genres, styles, and canons of value. His analysis of the ways in which images are assembled and associated provides a crucial context for the explosive present-day deployment of images on digital devices.įelix Thürlemann is professor of art history at the University of Konstanz. Through case studies organized within three groups of producers-collectors and curators, art historians, and artists-Thürlemann proposes a theory of the hyperimage, explores the semiotic nature of this plural image use, and discusses the arrangement and interpretation of such pictures in order to illuminate the phenomenon of Western image culture from the beginning of the seventeenth century until today. Interim results as well as final versions can be compiled at any time as an online/offline hypermedia publication. ![]() In part because the hyperimage is not permanently available, this interplay of images has been largely unexplored. These hyperimages have played a major role in the history of art since the seventeenth century, and the main actors of the art world are all hyperimage creators. HyperImage allows any number of details, or subregions, within an image to be highlighted and described, and for annotations within a corpus to be linked to each other, making them accessible in indices. ![]() This is another effort to streamline the reading. The images in my 'hyperimage' version are also 'roll over' images so that when a user moves the cursor over the image a new one appears. These hyperimages have played a major role in the history of art since the seventeenth century, and the main actors of the art world are all hyperimage creators. Image definition, a physical likeness or representation of a person, animal, or thing, photographed, painted, sculptured, or otherwise made visible. 'Hyperimages', like hypertext, are images that contain hyperlinks, so that a user can click the image to reach another page. Potassium is a chemical that is critical to the function of nerve and muscle cells, including those in your heart. In this volume, Felix Thürlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. High potassium (hyperkalemia): Hyperkalemia is the medical term that describes a potassium level in your blood that's higher than normal. In this hands-on way of looking at the hyperimage, the students investigated how the existence and characteristics of an actual person become irrelevant (or can even disappear) under the gigantic visual assemblage that represents her.In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. Under the guidance of Offshore Studio (Isabel Seiffert and Christoph Miler) the students deconstructed one of the iconic – and essentially (hyper-)visual – media personas of our time: the media celebrity Kim Kardashian. One of these latter digital polyptychs was also chosen as subject for a case study. Just like in an oversaturated heraclitian reality of ever-transforming visual content. ![]() Some are more static and linear, but some are in a permanent dynamic of ungraspable change. We observed how some of such image groupings exist in the same digital plane (like the carefully curated Instagram feeds), but some have their elements distributed across planes and dimensions, like the visual identities and personas emanating from intricate hyperlinking across platforms and channels. into the HyperImage database occurs via a defined WSDL interface (HyperImage. Throughout the discussions a special focus crystallized on the phenomenon of the image assemblages within the cyberspace. With the HyperImage Editor you can link digital images, text and mixed. Through discussions, readings, museum visits and visual analysis around the idea of the hyperimages, we aimed essentially at touching some of the following questions: can we see something anew about the relationship between us and the visual, between the visual and reality, between reality and us? During the “Visual Culture” seminar the MA Visual Communication students explored the concept of hyper in relation to current visual phenomena: the excessive, heightened, multidimensional nature of how images are often produced, consumed or displayed today. Starting with AutoCAD 2018-based products, AutoLISP programs that utilize the members defined by the IAcadFileDependencies and IAcadFileDependency classes. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |